With the beginning of the Nineteenth Century came the Romanticists, Manzoni, Foscolo and the rest. These were poets and novelists, to whom the Novela meant very little. Their influence extended far into the century, and only with the advent of the naturalist Verga was there a return to the short story. And then it had no relation whatsoever to the art practised by Boccaccio. With Verga, De Amicis, Serao, Fogazzaro, and D’Annunzio, we are in the midst of the modern European literary movement.
The notation “no title in the original,” made in several instances after the notes on Boccaccio, Ser Giovanni, Sacchetti, Masuccio, Bandello, Firenzuola, Grazzini, Cinthio, and Gozzi, means that the title given in this collection is furnished by the editors. The Italian editions usually offer a lengthy synopsis of the story.
The Bell of Atri (Anonymous: 13th or 14th Century)
The Hundred Ancient Tales is a collection of short stories containing the earliest e